jazziz critics' pick top ten recordings 1998
coda magazine writers choice top ten recordings 1998
cadence magazine reviewers' choice top ten recordings 1998
One of the best concerts of 1997 is now one of the best releases of 1998. The fire-breathing Trio Hurricane made one previous album 10 years ago, a tribute to Jimmy Lyons, and hadn't played together since, but at Amherst's annual all-day free jazz fest, FIRE IN THE VALLEY, they picked up where they left off in a set played with life-or-death intensity. The energy level is impressive, but it's the band's rapport and the tight focus, concentration, and discipline that makes the album extraordinary. Spearman's urgency is of Biblical proportions, and his tenor jeremiads of blisteringly fast runs, choppy short phrases, squeals, and white-hot sounds are delivered with righteous wrath that burns like coals. But the intellectual passion balances the emotional power of his solos. 'Blues for John and Frank' and the blistering 'N.Y.N.Y.' are towering, even terrifying performances. Bassist Parker is the most consistently inventive player on any instrument in contemporary free jazz, and he outdoes himself here: his bowed lamentation on 'Tones For William' is a highlight. Murphy is one of the more obscure figures in free jazz, but he deserves more credit for his powerful and responsive trap work. This is an essential document. --Ed Hazell, Boston Phoenix
Grit from the true vein, delivered with a sensuous, pugnacious tenacity that heightens the blood. --Ben Watson, Hi-fi News & Record Review
credits
released September 27, 2018
Paul Murphy: drums
William Parker: bass
Glenn Spearman: tenor saxophone
26 July 1997, Fire In The Valley Festival, Bezanson Recital Hall, UMASS Amherst
producer: Michael Ehlers
engineer: Norman Blain
photography: Michael Wilderman
supported by 16 fans who also own “Live at Fire in the Valley”
Simply amazing to hear a new album with Wadada and Ewart!! ...And Reed rounds out this trio beautifully.
Just gave it my first spin. Absolutely magical. jeffrey maurer
supported by 15 fans who also own “Live at Fire in the Valley”
Professor Graves always amazes, this lost session from a week prior to the recording of his classic "Babi" is a welcome addition to his discography. Mr. Johnson
supported by 15 fans who also own “Live at Fire in the Valley”
After a precision liftoff in Tabasco and setting a course to travel the space ways from planet to planet, the album peels away through a wormhole just past Saturn in the eponymous track Mayan Space Station to journey through time and space in Canyons of Light. eric F
supported by 15 fans who also own “Live at Fire in the Valley”
On "Painters Winter", William Parker and company explore some fascinating musical spaces, a set of songs that stretch out and expand in a way that ably demonstrates both the players' impressive skills and Parker's exceptional gifts as a composer. rikm